杜尚 噴泉

《噴泉》其實是一個男性的小便器,杜象買了回來,在上面簽了名(假名),用化名身分送去參加當時美國一個獨立藝術展覽,這個展覽是由一班前衛藝術家組成的藝術獨立協會所籌劃,針對國家設計學院的保守規定,這個協會訂下參展規則是只要交了費用就可展覽作品。

Fountain is a readymade sculpture produced by Marcel Duchamp in 1917: a porcelain urinal signed “R.Mutt”. In April 1917, an ordinary piece of plumbing chosen by Duchamp was submitted for an exhibition of the Society of Independent Artists, the inaugural exhibition by the Society to be staged at The Grand Central Palace in New York. In Duchamp

Origin ·

《噴泉》從來是爭議性的作品,皮農切利跟它有仇,就是「不忿」好好的一個尿兜竟美其名變成《噴泉》。不過,你有你看法,杜尚一九六一年有不同的藝術解話:「給一件日常用品賦予新名字,令它本來重要性消失,從而給它嶄新和美麗的意義」。

杜象是二十世紀藝術開拓者之一。他將從印象主義以來強調視覺性繪畫的觀念,轉移至語言、思緒和視感動作交互作用的領域。藉由靈活運用新的心理、生理的表現素材,改變藝術的形式,並為當今藝術中多項技法、心理和視覺的新觀點開先鋒。

亨利-羅伯特-馬塞爾·杜尚(法語:Henri-Robert-Marcel Duchamp 法語發音:[maʁsɛl dyʃɑ̃],台譯杜象,1887年7月28日-1968年10月2日)美籍法裔畫家、雕塑家、西洋棋玩家與作家,二十世紀實驗藝術的先驅,被譽為「現代藝術的守護神」。其作品對於第二次世界大戰前的

Fountain is Duchamp’s most notorious ‘readymade’ which he presented for exhibition to the 1917 Society of Independent Artists under the pseudonym R. Mutt. Despite its ordinary, functional and rather mundane appearance, Fountain has been described as one of

杜象 在兄妹六人中排行第三,他們當中有四位後來成了藝術家。兩個哥哥雅克‧維雍和杜象‧雛雍分別是畫家和雕塑家,妹妹蘇珊‧杜象和他是畫家。受外祖父,一位技巧精湛的版畫家和兩位哥哥的影響,十幾歲的杜象也曾畫過些油畫風景,還去巴黎的

Marcel Duchamp was born at Blainville-Crevon in Normandy, France, and grew up in a family that enjoyed cultural activities.The art of painter and engraver Émile Frédéric Nicolle [], his maternal grandfather, filled the house, and the family liked to play chess,

Born: Henri-Robert-Marcel Duchamp, 28 July 1887,

18/10/2010 · 噴泉-杜尚(藝術欣賞)_terrie戴莉_新浪博客,terrie戴莉, 戴莉的圖畫展覽會 Fountain Title: Fountain Work: sculpture Artist:Duchamp Marcel (1887 – 1968) Work Date: 1917

Artwork page for ‘Fountain’, Marcel Duchamp, 1917, replica 1964 on display at Tate Modern. Fountain is the most famous of Duchamp’s so-called ready-made sculptures: ordinary manufactured objects designated by the artist as works of art. It epitomises the

小弟對Duchamp的批評,其實是指他抒情抒得不夠好,只有呈現觀念突破,而無更值得推敲的感情。同樣做 “現成物是藝術” 這個觀念,Picasso 做得比Duchamp 的 “噴泉” 好得多了,未來若有機會,為Picasso

Influence

The story is legend. Duchamp, wanting to submit an artwork to the “unjuried” Society of Independent Artists’ salon in New York—which claimed that they would accept any work of art, so long as the artist paid the application fee—presented an upside-down urinal signed and dated with the appellation “R. Mutt, 1917,” and titled Fountain.

L.H.O.O.Q. (French pronunciation: [ɛl aʃ o o ky]) is a work of art by Marcel Duchamp. First conceived in 1919, the work is one of what Duchamp referred to as readymades, or more specifically a rectified ready-made.[2] The readymade involves taking mundane, often utilitarian objects not generally considered to be art and transforming them, by

Overview ·

Fountain (engl. Brunnen, Quelle) ist ein Ready-made aus dem Jahr 1917, das im Allgemeinen Marcel Duchamp zugeschrieben wird. Dies ist mittlerweile umstritten, vielmehr deutet vieles auf eine Urheberschaft der Künstlerin Elsa von Freytag-Loringhoven hin.[1] Das Objekt, ein mit „R. Mutt“ signiertes handelsübliches Urinal aus einem

Beschreibung ·
Exhibitions

Marcel Duchamp’s ‘Fountain’ is not just a radical kind of art. It’s a philosophical dialetheia: a contradiction that is true Aeon email newsletters are issued by the not-for-profit, registered charity Aeon Media Group Ltd (Australian Business Number 80 612 076 614).

20/2/2020 · Marcel Duchamp, in full Henri-Robert-Marcel Duchamp, (born July 28, 1887, Blainville, France—died October 2, 1968, Neuilly), French artist who broke down the boundaries between works of art and everyday objects. After the sensation caused by Nude Descending a Staircase, No. 2 (1912), he painted few other pictures.

Étant donnés (Given: 1.The Waterfall, 2. The Illuminating Gas, French: Étant donnés: 1 la chute d’eau / 2 le gaz d’éclairage) is Marcel Duchamp’s last major artwork, which surprised the art world because it believed he had given up art for competitive chess which he’d been playing for almost 25 years, following a prolific art career.

Artist: Marcel Duchamp

杜象把一個小便池倒轉過來展示,並取名《噴泉》,並非惡意的打算「讓社會大眾人士大吃一驚」,而是想用事實證明一件事:事物其實並非依靠其本身而存在,一切事物都取決於思想和意圖;任何事物在新的標題及新的觀點下,都會喪失原有的功能和意義

杜象的《噴泉》向世人展示了藝術的另一種形態。這就是為什麼,像我們會看到的,它是一個雙面真理。哲學家以安迪沃荷的布瑞洛盒為例,主張這些作品「創造出了關於藝術的某種新形態,並將此融入藝術品本身,以此來質疑自身」。

26/2/2010 · 西元1887年 馬賽勒.杜象,7月28日生於布蘭維爾 西元1904年 十月份與哥哥查克一起來到巴黎,並進入朱利安學院。西元1912年 繪製「下樓梯的女人」和「處女出嫁日」 西元1913年 『下樓梯的女人』在紐約軍械庫畫展中展出,並引起輿論譁然,使他聲名大噪。

15/12/2012 · Marcel Duchamp, Fountain, 1917/1964, porcelain urinal, paint, San Francisco Museum of Modern Art. Speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by

作者: Smarthistory

La Fuente (1917) es una obra atribuida a Marcel Duchamp. Es probable que, sin saberlo, se lo hubiera regalado Elsa von Freytag (Polonia, 1874-París, 1927), artista multidisciplinar y entregada agitadora. La alarma saltó cuando en 1982 se encontraron unas cartas de Duchamp a su hermana en las que escribía: “Una amiga, empleando el

Creación: 1917

From Philadelphia Museum of Art, Marcel Duchamp, Fountain (1950) Associated with the Dada, Surrealist, Cubist, and Futurist movements, Marcel Duchamp radically subverted conventional practices of artmaking and display, challenging such weighty notions as

13/7/2010 · Professor Elizabeth Cowling, Chief Curator Patrick Elliot, and Senior Curator Ann Simpson talk about Duchamp’s ‘Fountain’. Skip navigation Sign in

作者: nationalgalleries

Marcel Duchamp (Blainville-Crevon, 28 juli 1887 – Neuilly-sur-Seine, 2 oktober 1968) was een Frans kunstenaar. In zijn loopbaan werkte hij aanvankelijk als kunstschilder en later als beeldhouwer. Hij werkte als futurist, dadaïst en surrealist. In zijn latere leven was hij schaakgrootmeester. Duchamp

Geboorteland: Frankrijk

Nel 1915, due anni prima di concepire Fontana, Marcel Duchamp giunse negli Stati Uniti dove divenne più tardi membro del Dada, un movimento che si dichiarava anti-razionale e anti-artistico.Secondo un’interpretazione, Fontana venne realizzata quando Duchamp acquistò, a New York, un comune orinatoio modello Bedfordshire..

Autore: Marcel Duchamp

19/4/2016 · 從謎 | 杜尚的尿兜《噴泉》是別人的作品? 編導:葉啟良 法國藝術家杜尚 (Marcel Duchamp)在1917年展出了一個以尿兜為作品的藝術品,並命題為《噴泉》。

作者: RTHK 香港電台

14/1/2018 · Filmed amidst the Arensberg collection at the Philadelphia Museum of Art, where 35 works by Marcel Duchamp are gathered, this 1956 interview

作者: Manufacturing Intellect

?達噴泉實業社 達噴泉實業社是以營現代化的模式提供最完整和最迅速來服務。有大家的愛護與提攜貴長久的經營理念,又以堅持『安全、幫助、品質及合理的價格』為營運的宗旨,達成客戶的滿意度是本公司的目標,本公司向您的保證與致謝,秉持『穩定經營、永續服務、客戶快樂』的經營模式,更

一般人認為藝術品應該是高尚的、是充滿美感的一件作品,然而在1917年,杜尚的《噴泉》便打破了此規限。「或許在洗手間內,《噴泉》是一件有用的物品,但當它放置在藝術展內,無庸置疑便是一件藝術品。

Marcel Duchamp, Henri-Robert-Marcel Duchamp, Henri Robert Marcel Duchamp, Marcel Duchamp-Villon, Marsel Dushan, Marcel Duchamp- Villon, Rrose Sélavy, Rose Sélavy, デユシヤンマルセル, Duxiang, R. Mutt Ulan 500115393 View the full Getty available

Marcel Duchamp’s Fountain, 1917 4. Duchamp was behind the most infamous urinal in the world. His signature piece, “Fountain”, is a porcelain urinal signed under the pseudonym R. Mutt. Duchamp submitted the piece to “urinate on art”. R is the initial for

‘Fountain’ was created in 1917 by Marcel Duchamp in Dada style. Find more prominent pieces of installation at Wikiart.org – best visual art database. Fountain is one of Duchamp’s most famous works and is widely seen as an icon of twentieth-century art. The

Date completed: 1917

modifier – modifier le code – modifier Wikidata Fontaine (en anglais : Fountain) est un ready-made de Marcel Duchamp ou d’Elsa von Freytag-Loringhoven[1],[2],[3],[4] consistant en un urinoir en porcelaine renversé signé « R. Mutt » et daté 1917. L’œuvre apparaît dans le catalogue raisonné d’Arturo Schwarz sous le no 345[5]. Fountain

Artiste: Marcel Duchamp

《噴泉》,只是杜尚隨便買來的小便池,隨便起了個名字,一樣生活用品就成了藝術品。杜尚在展覽會上的這個舉動成為美術史必談的話題,並且被成為後現代主義的先驅。在於《噴泉》意義在於他站在了一個時節點上,告訴大家,

Origin

清大 彭明輝 摘要 這個演講主要是為兩種人而準備的:對現代藝術感興趣或迷惑不解的人,以及對各種後現代主義(如解構主義)思潮有興趣的人。儘管杜象的作品很轟動(如題名為「噴泉」的小便斗以及他加在「蒙娜麗莎」臉上的鬍鬚),影響很廣泛(如達達主義、普普藝術、偶發藝術、歐普藝術

26/8/2019 · A French-American painter, sculptor, chess player and writer whose work has been associated with Dadaism and many other avant-garde movements, Marcel Duchamp is commonly considered as one of the artists who helped define the revolutionary developments in plastic arts in the opening decades of the twentieth century and as being responsible for significant developments in

《Dalí / Duchamp》展出二人約80件不同媒介的作品。 杜象是個「標題黨」,他將一個工業製作的小便斗擺放在當代藝術展場,將之名為「噴泉」(Fountain),而非直截了當叫尿斗。編註 杜象為現成品(Ready-made)重新命名,運用雙關語,大量拼湊「現成

晚年有人問他怎麼想出這樣的原創繪畫形式,杜象的回答是:他是在反抗他所謂的網膜藝術——即吸引目光的藝術。他所追求的是,讓繪畫「為心靈效勞」。換句話說,讓腦的刺激取代視覺快感。 標籤: 超現實藝術家的謎夢人生, Desmond Morris, 超現實主義, 裸猿, 杜象, Marcel Duchamp, 噴泉, 現成物, 下樓的

En 1917 à New York, Marcel Duchamp présente un urinoir au comité d’accrochage du Salon des artistes indépendants dont il fait partie, afin d’en éprouver le principe fondateur : ne refuser aucune œuvre. Présenté à plat, signé sous le pseudonyme de R. Mutt et titré Fountain

Henri-Robert-Marcel Duchamp (French: [maʁsɛl dyʃɑ ]; 28 July 1887 – 2 October 1968) was a French-American painter, sculptor, chess player and writer whose work is associated with Cubism, conceptual art, and Dada, although he was careful about his use of the term Dada and was not directly associated with Dada groups.

Birth place: Blainville-Crevon, France